> ## Documentation Index
> Fetch the complete documentation index at: https://hyperframes-codex-docs-human-first-refactor.mintlify.site/llms.txt
> Use this file to discover all available pages before exploring further.
# Create a music-driven video
> Cut footage, images, lyrics, and motion to a track’s beat grid.
Use Music to Video when the supplied track should control the pacing.
The audio can come from a music file or from a video whose audio should drive the result.
## Give the agent the track and material
```text theme={null}
/hyperframes Make a 30-second beat-synced promo from track.wav and the
12 attached product photos. Start restrained, accelerate after the first
drop, and hold the final logo for two beats. No narration.
```
Tell the agent:
* which part of the track to use;
* whether lyrics appear;
* which media must be included;
* the desired format and duration;
* where the energy should change;
* whether the video must loop.
## Approve the musical structure
Confirm:
* the exact section of the track;
* the important beats, drops, phrases, or energy changes;
* which media and lyrics are approved;
* the visual arc from opening to ending;
* whether the edit should loop;
* how long text must remain readable even when the rhythm is fast.
## Review the rhythm
Not every beat needs a cut. Use stronger changes for important musical moments and leave enough visual continuity to understand the material.
Check:
* the first useful downbeat;
* cuts around drops and transitions;
* lyric timing;
* whether important text can be read;
* the ending or loop point.
Beat markers in the [Studio timeline](/studio/timeline) help refine the cut.
## Common problems
| Problem | Better direction |
| ------------------------------------------- | ---------------------------------------------------------------- |
| Every beat causes a cut | Reserve larger changes for stronger musical moments. |
| The edit is rhythmic but hard to understand | Hold important images and text across several beats. |
| Lyrics drift from the vocal | Correct transcription and timing before visual polish. |
| The ending feels cut off | Choose a musical landing or design a deliberate loop. |
| Supplied media has no visual progression | Assign different material to the intro, build, peak, and ending. |
Use beat markers to adjust cuts, holds, and the ending.
Return to the source-and-outcome chooser.